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Julien Creuzet聽

Julien Creuzet is a Franco-Caribbean artist, born in 1986, who lives and works in Montreuil. He creates multi-faceted works that integrate poetry, music, sculpture, assemblage, film and animation. Evoking emancipatory trans-oceanic exchanges and their multiple temporalities, the artist places his past, present and future heritage at the heart of his production. Disregarding global narratives and cultural reductionism, Creuzet's work often highlights anachronisms and social realities to construct irreducible objects. Like relics of the future brought ashore by an ocean tide, Creuzet's works materialize as amplified testimonies to history, technology, geography and the self.

His works are part of prestigious collections such as Centre Pompidou (FR); CNAP (FR) ; MMK Museum (DE); Fondation Villa Datris (FR) ; Fondation d'entreprise Galeries Lafayette (FR); Fonds d'art Contemporain, Paris (FR); FRAC (Bourgogne, Bretagne, Champagne-Ardenne, Grand Large, Ile-de-France, M茅ca, Pays de la Loire, (FR); Carr茅 d'Art-Mus茅e d'art contemporain (FR); CAPC de Bordeaux (FR); Kadist Foundation (US). Julien represented France at the 60th Venice Biennale of Art in 2024. He has received the 脡tants Donn茅s 2022 prize, the BMW Art Journey Award 2021, the Camden Arts Centre Emerging Artist Prize 2019 at Frieze and was also nominated for the Marcel Duchamp Prize in 2021.

脡douard Louis聽

脡douard Louis is a prominent French author and sociologist whose work has garnered international acclaim for its incisive exploration of class, identity, and systemic violence. Emerging from a working-class background in northern France, Louis made a striking literary debut with The End of Eddy, a semi-autobiographical novel that confronts issues of poverty, masculinity, and homophobia. His subsequent works鈥�History of Violence, Who Killed My Father, and others鈥攆urther interrogate the ways in which personal experience is shaped by broader political and economic structures. His writing, translated into over thirty languages, exemplifies a rare fusion of literary craft and sociopolitical critique.

In addition to his literary achievements, Louis is a significant voice in contemporary intellectual discourse. Drawing on the traditions of Pierre Bourdieu and Michel Foucault, his work challenges dominant narratives by foregrounding the lived realities of marginalized communities. Through essays, public lectures, and contributions to major publications such as The New York Times and The Guardian, Louis has established himself as both a writer and a thinker committed to examining the mechanisms of power, responsibility, and social change in modern life.

Marina Warner聽

Marina Warner is a writer of cultural history, fiction and memoir. She has explored myths and fairy tales in聽Alone of All Her Sex: The Myth and the Cult of the Virgin Mary聽(1976),听From聽the Beast to the Blonde: On Fairy Tales and Their Tellers聽(1994), and聽Stranger Magic: Charmed States & the Arabian Nights聽(2011). Her essays are collected in聽Signs & Wonders聽(1994),听Forms of Enchantment: Writings on Art and Artists聽(2018), and聽Myths, Magic and Marvels聽(forthcoming, 2026).聽She has published five novels, including聽The Lost Father聽(1985, shortlisted for the Booker Prize) and collections of short stories including聽Fly Away Home听(2014).听Inventory of a聽Life Mislaid聽(2021 [US title,聽Esmond & Ilia]) tells the story of her childhood in Egypt.

She has curated shows, including聽Only Make Believe: Ways of Playing;听The Shelter of Stories聽will open at Compton Verney in October 2025. She is聽Professor of English and Creative Writing at Birkbeck College,聽a Distinguished Fellow of All Souls College, Oxford, and a Fellow of the British Academy. In 2015, she received the Holberg Prize in the Arts and in 2024, the Robert B. Silvers Prize for Literary Criticism. She聽contributes regularly to the聽New York Review of Books聽and the聽London Review of Books, and her study聽Sanctuary: Ways of Dwelling, Ways of Telling聽will be published in the summer of 2025.